invitation

Oh do you have time

to linger

for just a little while

out of your busy

and very important day

for the goldfinches

that have gathered

in a field of thistles

for a musical battle,

to see who can sing

the highest note,

or the lowest,

or the most expressive of mirth,

or the most tender?

Their strong, blunt beaks

drink the air

as they strive

melodiously

not for your sake

and not for mine

and not for the sake of winning

but for sheer delight and gratitude –

believe us, they say,

it is a serious thing

just to be alive

on this fresh morning

in the broken world.

I beg of you,

do not walk by

without pausing

to attend to this

rather ridiculous performance.

It could mean something.

It could mean everything.

It could be what Rilke meant, when he wrote:

You must change your life.

-mary oliver

the poet with his face in his hands

You want to cry aloud for your

mistakes. But to tell the truth the world

doesn’t need anymore of that sound.

So if you’re going to do it and can’t

stop yourself, if your pretty mouth can’t

hold it in, at least go by yourself across

the forty fields and the forty dark inclines

of rocks and water to the place where

the falls are flinging out their white sheets

like crazy, and there is a cave behind all that

jubilation and water fun and you can

stand there, under it, and roar all you

want and nothing will be disturbed; you can

drip with despair all afternoon and still,

on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,

puffing out its spotted breast, will sing

of the perfect, stone-hard beauty of everything.

—mary oliver

when death comes

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps his purse shut;
when death comes
like the measle pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth
tending as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say: all my life
I was a bride married to amazement.
I was a bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened
or full of argument.

I don’t want to end up simply having visited this world.

—mary oliver